14 chair

313 014

Since 1859, when chair No. 14 was first introduced, more than 80 million units have been sold all over the world. Its iconic shapes are created by six manually bent beech rods, two bolts and ten screws. Thanks to its low weight, attractive price and legendary strength, this chair quickly found its place in the cafes of Vienna, earning the nickname the "café chair".

Configuration

Default configuration

Choose a colour

Choose a colour
Beech natural (lacquer)
Beech natural (oil)
Coffee (B 4)
Dark wenge (B 105)
Dark chocolate (B 112)
Nougat (B 114)
Granite (B 115)
Honey (B 116)
Black Grain (B 123)
White Powder (B 276)
Staining does not affect the wood structure and most colours do not suppress the wood pattern, either. On the contrary, wood as a natural material absorbs colours differently and for this reason the surface is characterised by lighter or darker places. The colour result is also affected by the initial range of colour of individual woody plants. Stains are applied by either immersion or spraying. The surface is then finished only with transparent lacquer. There is no surcharge for stain colour finishes.
Antique Classic (B 130 / A)
Antique finish is created by using specially developed finishing materials, which are applied manually – this technology underlines the unevenness and the originality of each product. The Antique Classic finish imitates a dark stained chair surface which has been attacked not only by age, but also by woodworm. Besides irregular, rubbed off, bleached, and hand-worn spots, the surface is also decorated with tiny holes made by the woodworm wood
B 20 white (B 20)
Sandy Beige (B 31)
Ginger yellow (B 32)
Ocean Blue (B 37)
Grey Shadow (B 38)
nude pink (B 40)
salmon pink (B 41)
coral orange (B 42)
ruby red (B 43)
creamy yellow (B 44)
aqua green (B 45)
turquoise green (B 46)
Pine Green (B 47)
Baby blue (B 48)
cloud grey (B 49)
Moon grey (B 50)
Blue Berries (B 52)
Opal Blue (B 53)
Mountain fjord (B 54)
Ashy blue (B 55)
Lichen green (B 61)
Taupe pink (B 95)
The natural colour and texture of wood can be covered with pigment finishes, which create a compact colour layer on the surface. The final appearance of the pigment finishes on the surface is, however, influenced by the type of wood, their different porosity and colour, production technology, light refraction and individual perception of colour finishes. The relief on beech plywood is so monolithic after being finished with pigment colours that it may look like a pressed plastic part.
Choose a colourGranite (B 115) 

Choose surface material

Choose surface material
MDR 0000
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MDR 31174
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MDR 70386
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MDR 71295
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Prince 171
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Prince 179
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Prince 180
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Prince 188
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Pigmented leather can also be dyed with aniline dyes. The epidermis may be brushed. The surface finish is a layer of pigment dye with an imprint of the uniform raster of the leather surface. This results in loss of natural permeability, reduction in softness and the ability to remove moisture. On the other hand, the pigment layers have very good wear resistance, colour-fastness, better resistance to soiling and are easier to maintain. Prince and MDR are pigmented leathers which fulfil the requirements of intensive usage of products that are easy and quick to maintain.
Elmo leather 43024
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Elmo leather 43807
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Elmo leather 93957
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Elmo leather 99001
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This leather is processed with vegetable oils. Only water-soluble aniline dye is used to dye the leather so the surface of the leather is not treated with a pigment layer. The leather thus retains its open pores and natural permeability, softness and smoothness. Permeability increases user comfort. The temperature of the leather easily adapts to the temperature of the human body, thus eliminating the feeling of cold or unpleasant overheating. Aniline leather best manifests the natural character of leather. The non-uniform colour, natural flaws and individual surface pattern accentuate the originality of each piece. Elmotique is a thinner aniline leather with a tiedye effect which shows all the properties of original leather.
Silvertex - Sage 5009
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Silvertex - Bottle 5010
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Silvertex - forest 5063
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Silvertex-5019-celery
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Silvertex - Pistacho 5008 C5
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Silvertex - basil 5020 C5
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Silvertex - Shitake 4012
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Silvertex - Mocca 0005 C5
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Silvertex - Ice 4004 C5
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Silvertex - Macadamia 0001 C5
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Silvertex - Sandstone 0002 C5
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Slivertex - Taupe 0009 C5
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Silvertex - Lugagge 0073
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Silvertex - Cream 1077 C5
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Silvertex - Sisal 1051 C5
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Silvertex - Champagne 1078
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Silvertex - Beige 1010 C5
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Silvertex - Umber 1014
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Silvertex - Safran 6065 C5
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Silvertex - Melon 6062
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Silvertex - Orange 0013
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Silvertex - Mandarin 6061 C5
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Silvertex - Cobre 2003 C5
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Silvertex - Plata 4001 C5
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Silvertex - Sterling 4011
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Silvertex - Meteor 4024 C5
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Silvertex - Carbon 9002 C5
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Silvertex - Black 9001
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Silvertex - Turquoise 3001 C5
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Silvertex - Titanium 4010
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Silvertex - Storm 4002 C5
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Silvertex - Graphite 4003
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Silvertex - Jet 3068
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Silvertex - Baltic 3066 C5
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Silvertex - Delft 3067 C5
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Silvertex - Aubergine 7001 C5
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Silvertex - Magenta 7002 C5
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Silvertex - Sapphire 3007 C5
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Silvertex - Red 2011 C5
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Silvertex - Sunkist 2012
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Silvertex - Wine 2064
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Silvertex - Rasberry 2016
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Silvertex - Rubin 6004
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Palma NF - weiss
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Palma NF - Perle
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Palma NF - Birke
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Palma NF - Smoke
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Palma NF - Torf
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Palma NF - Inka
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Palma NF - Keina
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Palma NF - Schwarz
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Palma NF - Lachs
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Palma NF - Kirsche
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Palma NF - Rubin
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Palma NF - Platin
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Palma NF - Amethyst
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Palma NF - rauchblau
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Palma NF - Anthrazit
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Palma NF - Baltic
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Palma NF - Atoll
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Palma NF - Lichtgrau
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Palma NF - Limone
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Palma NF - Olivgrün
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Choose surface material Cane 
Choose glidesMetal glide – carpets 

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Standard delivery time is 4-6 weeks, but in some cases may take longer.

Final colour of the product can vary from the illustrative photo and product configurator.

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Info

  • Total width (cm)41
  • Total depth (cm)51,5
  • Total height (cm)84
  • Seat height (cm)46
  • Width of seat (cm)Ø 40,5
  • Depth of seat (cm)Ø 40,5
  • Weight of product (kg)3,6
  • Consumption of fabric (m)0,182
  • Consumption of leather (m2)0,528
  • Volume (m3)0,153
  • Carton dimensions (cm)59 x 45 x 100

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how we make it...

We manually bend our furniture in the same workshops where this technology has been in use since 1861. However, we moved the features of this unique technique further more and mix them with contemporary designers’ thoughts. Our tables and chairs become a connection of quality, innovative shapes and a legacy to the place that has learned to understand the wood for generations.

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