Leaf Barstool

373 438

design  /  E-ggsIT

The shape of the seat of the Leaf barstool is identical to that of the chairs. This time, however, it is used in an opposing position. The back legs are formed by a challenging manual solid wood bent. Apart from its upholstered version, we also offer this model in two heights.

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Select your wood and colour

Guide to a wood selection
Select your wood and colour
Natural (varnished surface)
Natural (oiled surface)
Coffee (B 4)
Dark Wenge (B 105)
Dark Chocolate (B 112)
Nougat (B 114)
Granite (B 115)
Honey (B 116)
Black Grain (B 123)
White Powder (B 276)
Beech is one of the best known and most commonly used deciduous trees in furniture making. It is a hard, strong, homogenous wood, well suited for manual wood bending. Beech is light to pinkish light in colour with a less pronounced texture, as there is not a marked difference in the colour of spring and summer wood – the contrast that creates annual growth rings.

In Standard finish, we offer stains that do not affect the wood structure. Most of the shades do not hide the texture. The natural characteristics of beech allow the wood to absorb colour differently, resulting in a surface with light and dark markings. The final look of the product is also influenced by the original wood colour. A colour stain is always finished with a transparent water-based lacquer, which creates a durable, impervious coating that requires minimal maintenance.

The Beech Natural option can also be finished with oil, which is applied to the raw, worked surface. The colourless oil base comprising natural oils and waxes creates a protective matte coating that does not crack or peel. The oil highlights the natural colour of the wood, reveals its structure, and allows the wood to breathe. With the help of our Carebox, small scratches can be sanded over and re-oiled, leaving your TON product looking like new.

!Each beech wood component reacts to selected technology in different ways. This natural property causes variation in component colour finish. Surface finishing with oil highlights these nuances. The colour aspect of independent wood components will even out and unify in a natural way with solar radiation and oxidation within a few months.
Antique Classic (B 130/A)
If you would rather not wait for years before your furniture develops a natural patina, you can enjoy the look of antique furniture with this specialised finishing technique. Starting with a dark stain, Antique Finish imitates irregular scratches, sun-bleached spots, frequently touched areas and even woodworm bores. The imitation age marks are applied by hand with specially developed finishing materials, which in no way affect the product’s quality. Each resulting piece is an original.
White (B 20)
Sandy Beige (B 31)
Ginger Yellow (B 32)
Ocean Blue (B 37)
Grey Shadow (B 38)
Nude Pink (B 40)
Salmon Pink (B 41)
Coral Orange (B 42)
Ruby Red (B 43)
Creamy Yellow (B 44)
Aqua Green (B 45)
Turquoise Green (B 46)
Pine Green (B 47)
Baby Blue (B 48)
Cloud Grey (B 49)
Moon Grey (B 50)
Blue Berries (B 52)
Opal Blue (B 53)
Mountain Fjord (B 54)
Ashy Blue (B 55)
Lichen Green (B 61)
Taupe Pink (B 95)
Pigments transform natural wood tones into a full spectrum of colour, covering fully the original wood tone as well as the texture. If a product has a design embossed on the seat or backrest, the design becomes less pronounced once a pigment has been applied. The final appearance of the pigment is influenced by the original colour and porosity of the wood, the production process, the angle of light, as well as individual perception of colour.
Natural (varnished surface)
Natural (oiled surface)
Coffee (B 4)
Dark Wenge (B 105)
Nougat (B 114)
Granite (B 115)
Black Grain (B 123)
White Powder (B 276)
Dark Chocolate (B 112)
A strong and hard wood that will last for generations, oak has been prized in furniture making for centuries. Its natural colour and texture are characterised by a brown palette that is complemented with grey and yellow tones.

In Standard finish, we offer stains that do not affect the wood structure. Most of the shades do not hide the texture. The natural characteristics of oak allow the wood to absorb colour differently, resulting in a surface with lighter and darker markings. The final look of the product is also influenced by the original wood colour. A colour stain is always finished with a transparent water-based lacquer, which creates a durable, impervious coating that requires minimal maintenance.

For the Oak Natural option we recommend an oil finish, which is applied to the raw, worked surface. The colourless oil base comprising natural oils and waxes creates a protective matte coating that does not crack or peel. The oil highlights the natural colour of the wood, reveals its structure, and allows the wood to breathe. With the help of our Carebox, small scratches can be sanded over and re-oiled, leaving your TON product looking like new.
White (B 20)
Sandy Beige (B 31)
Ginger Yellow (B 32)
Ocean Blue (B 37)
Grey Shadow (B 38)
Nude Pink (B 40)
Salmon Pink (B 41)
Coral Orange (B 42)
Ruby Red (B 43)
Creamy Yellow (B 44)
Aqua Green (B 45)
Turquoise Green (B 46)
Pine Green (B 47)
Baby Blue (B 48)
Cloud Grey (B 49)
Moon Grey (B 50)
Blue Berries (B 52)
Opal Blue (B 53)
Mountain Fjord (B 54)
Ashy Blue (B 55)
Lichen Green (B 61)
Taupe Pink (B 95)
Pigments cover the colour and texture of wood. Oak has a pronounced pore structure, however, and this remains visible after a pigment has been applied. This attribute influences the final look of the product, together with the original wood colour, the production process, the angle of light, as well as individual perception of colour.
Select your wood and colour Natural (oiled surface) - Oak Standard  

Choose surface material

Guide to a fabric selection
Choose surface material
Brunei 18
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Brunei 29
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Brunei 31
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Brunei 38
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Bottle green (Brunei 45)
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Fargo 701
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Fargo 710
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Fargo 801
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Fargo 923
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Fargo 927
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Fargo 990
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Harby 801
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Harby 810
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Harby 990
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Parisian blue (Jim 598)
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Jim 604
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Jim 718
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Jim 767
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Jim 803
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Jim 826
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Jim 828
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Anthracite (Jim 898)
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Lerma 701
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Lerma 801
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Lerma 818
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Lerma 847
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Lerma 882
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Lerma 909
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Luciana 750
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Luciana 801
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Luciana 838
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Luciana 881
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Manresa 108
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Blue-black stripe (Manresa 905)
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Manresa 907
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Robo 562
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Robo 566
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Robo 703
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Robo 708
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Robo 820
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Robo 857
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Robo 885
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Grain Arcilla 75
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Grain Blanco 00
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Grain Canella 11
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Grain Crema 02
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Grain gris 01
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Grain Marino 69
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Grain Marron 23
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Grain Negro 90
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Grain Rojo 29
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Grain Teja 15
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Grain Tierra 07
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 This collection comprises fabrics in a palette of earth tones with blends of cotton, linen and viscose, as well as 100% polyester. Fabrics in this collection are highly resistant to abrasion and meet cigarette burn resistance tests.

Category A includes the short piled Brunei Velvet. The surface of this fabric is finished with Teflon, which repels water, controls static and ensures stain resistance.

Grain is imitation leather material with antibacterial properties, which meets cigarette and match burn resistance tests. As a result, it is well suited for use in healthcare and aged care facilities.
Jet Bioactive 8033
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Jet Bioactive 9109
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Jet Bioactive 9110
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Jet Bioactive 9301
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Jet Bioactive 9304
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Jet Bioactive 9401
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Jet bioactive 9403
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Jet bioactive 9610
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Jet Bioactive 9702
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Jet bioactive 9804
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Torino 9401
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Torino 9601
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Torino 9616
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Torino 9701
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Torino 9707
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Torino 9818
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 This category includes lightweight fabrics made from Trevira CS. The fabrics are highly resistant to abrasion and are inherently flame retardant, meeting the Crib 5 standard for flame retardant materials. Easy to maintain, these comfortable fabrics are permeable and resistant to fading.
Garda 9301
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Garda 9307
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Garda 9406
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Garda 9616
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Garda 9808
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Lowlands 513
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Lowlands 516
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Lowlands 521
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Lowlands 524
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Lowlands 529
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Lowlands 531
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Lowlands 541
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Lowlands 542
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Lowlands 562
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Lowlands 571
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Lowlands 572
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Lowlands 581
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Lowlands 585
Details
 This category includes medium-weight fabrics made from Trevira CS. These permeable fabrics are highly resistant to abrasion and fading and meet the Crib 5 standard for flame retardant materials.

Category C includes the Lowlands Plain fabric with subtle over-felting and a high content of virgin wool. This high-quality natural material is inherently antibacterial, water-repellent and anti-static. The fabric is highly resistant to abrasion, holds its shape, does not absorb odours or dust, and meets the most stringent requirements for non-flammable materials.
Milkyway - powder
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Milkyway - jade
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Milkyway - shadow
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Mica Aqua
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Mica Arion
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Mica Papillon
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Dante black
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Dante chrom
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Dante lanoso
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Dante snow
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Sand 01/90
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Sand 02/00
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Sand 06/78
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Sand 07/88
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Sand 10/80
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Sera anthrazit
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Sera calla
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Sera pepper
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Sera walnut
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Topia bronce
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Topia curry
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Topia heart
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Topia messing
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Topia orion
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Topia platin
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Topia schiefer
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Walker 01
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Walker 10
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Walker 40
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Walker 68
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Walker 80
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Walker 88
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 This category includes heavy-weight fabrics made from Trevira CS. These permeable fabrics are highly resistant to abrasion and fading and meet the Crib 5 standard for flame retardant materials.

Category D includes fabrics with a high content of virgin wool that have been treated with peeling. This process burns off excess fibres, preventing them from shedding while the product is in use.

Virgin wool is a natural material of high quality, inherently antibacterial, water-repellent and anti-static. The fabric holds its shape, does not absorb odours or dust, and meets the most stringent requirements for non-flammable materials.

The Milkyway fabric is unusual for its representation of the Milky Way, with a pattern that repeats every three metres. Chairs upholstered in the Milkyway fabric are unique originals and form a beautiful celestial whole when clustered around a table.
MDR 0000
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MDR 31174
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MDR 70386
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MDR 71295
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Prince 171
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Prince 179
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Prince 180
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Prince 188
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 The pigmented Prince and MDR leathers feature a regular embossed grain pattern with no surface defects, which makes these leathers particularly popular in restaurant and hotel establishments. Although the grain correction process removes leather’s natural permeability and soft touch, it brings a whole range of functional benefits – a uniform surface pattern, easy maintenance, and higher resistance to wear-and-tear and fading.
Elmotique 43024
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Elmotique 43807
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Elmotique 93957
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Elmotique 99001
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 Elmotique aniline leather is one of the highest quality leathers available on the market. Thanks to a careful selection of Scandinavian hides and the applied manufacturing process, which uses plant-based oils and water-soluble aniline dyes, the material breathes naturally and adjusts quickly to ambient temperature (environmental or human). Elmotique is very soft and features all the wonderful characteristics of natural leather. The material is made in a Swedish tannery that is recognised for being the most ecological facility of its kind in the world.
Silvertex - Sage 5009
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Silvertex - Bottle 5010
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Silvertex - forest 5063
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Silvertex-5019-celery
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Silvertex - Pistacho 5008 C5
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Silvertex - basil 5020 C5
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Silvertex - Shitake 4012
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Silvertex - Mocca 0005 C5
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Silvertex - Ice 4004 C5
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Silvertex - Macadamia 0001 C5
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Silvertex - Sandstone 0002 C5
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Slivertex - Taupe 0009 C5
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Silvertex - Lugagge 0073
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Silvertex - White 2089
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Silvertex - Ice Cream 2090
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Silvertex - Citrus 2091
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Silvertex - Avodaco 2092
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Silvertex - Squash 2093
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Silvertex - Cream 1077 C5
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Silvertex - Sisal 1051 C5
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Silvertex - Camel 2105
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Silvertex - Champagne 1078
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Silvertex - Beige 1010 C5
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Silvertex - Umber 1014
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Silvertex - Safran 6065 C5
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Silvertex - Melon 6062
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Silvertex - Orange 0013
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Silvertex - Tomato 2096
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Silvertex - Mandarin 6061 C5
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Silvertex - Cobre 2003 C5
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Silvertex - Plata 4001 C5
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Silvertex - Sterling 4011
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Silvertex - Meteor 4024 C5
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Silvertex - Carbon 9002 C5
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Silvertex - Black 9001
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Silvertex - Aluminium 2101
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Silvertex - Coral 2102
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Silvertex - Skylight 2103
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Silvertex - Turquoise 3001 C5
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Silvertex - Titanium 4010
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Silvertex - Storm 4002 C5
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Silvertex - Graphite 4003
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Silvertex - Petrol 2094
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Silvertex - Jet 3068
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Silvertex - Teal 2100
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Silvertex - Baltic 3066 C5
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Silvertex - Delft 3067 C5
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Silvertex - Ultra violet 2104
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Silvertex - Aubergine 7001 C5
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Silvertex - Magenta 7002 C5
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Silvertex - Orchid 2097
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Silvertex - Rosé 2098
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Silvertex - Lotus 2099
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Silvertex - Sapphire 3007 C5
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Silvertex - Grenadine 2095
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Silvertex - Red 2011 C5
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Silvertex - Sunkist 2012
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Silvertex - Wine 2064
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Silvertex - Rasberry 2016
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Silvertex - Rubin 6004
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Palma NF - weiss F6411143
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Palma NF - Perle F6411008
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Palma NF - Birke F6411152
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Palma NF - Smoke F6411153
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Palma NF - Torf F6411197
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Palma NF - Inka F6411145
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Palma NF - Keina F6411146
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Palma NF - Schwarz F6411011
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Palma NF - Lachs F6411144
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Palma NF - Kirsche F6411154
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Palma NF - Rubin F6411010
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Palma NF - Platin F6411012
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Palma NF - Amethyst F6411155
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Palma NF - rauchblau F6411198
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Palma NF - Anthrazit F6411160
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Palma NF - Baltic F6411006
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Palma NF - Atoll F6411005
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Palma NF - Lichtgrau F6411199
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Palma NF - Limone F6411195
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Palma NF - Olivgrün F6411196
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 The Healthcare B collection of artificial leather fabrics boasts functional qualities suitable for the healthcare and aged care sectors. Guaranteeing easy maintenance, the fabrics are resistant to stains from urine, blood and disinfectants, and most of them meet the Crib 5 standard for fire retardant materials. In addition, special treatment on the fabric surface prevents the growth of bacteria.
Choose surface material Fargo 701 - Category A  

Choose height

Choose height
Choose height High barstool  

Choose glides

Choose glides
Felt glide (black)
Felt glide (white)
Teflon glide (grey)
Felt glide – wooden floors

Teflon glide – laminate, cork and vinyl floors, tiles, carpeting, linoleum
Choose glides Felt glide (white)  
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The current lead time is 5-7 weeks. Some models may take even longer.

Final product colour may vary from website illustrations and product configurator.

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Info

  • Total width (cm)46,2 / 44,5
  • Total depth (cm)49 / 45,2
  • Width of seat (cm)42
  • Depth of seat (cm)38,5
  • Total height High barstool (cm)78,5
  • Total height Low barstool (cm)63,5
  • Weight of product (kg)5,4 / 5,1
  • Consumption of fabric (m)0,336
  • Consumption of leather (m2)0,825
  • Volume (m3)0,250 / 0,186
  • Carton dimensions (cm)53 x 50 x 82 / 49 x 49 x 67
  • Seat height High barstool (cm)78,5
  • Seat height Low barstool (cm)63,5

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We manually bend our furniture in the same workshops where this technology has been in use since 1861. However, we moved the features of this unique technique further more and mix them with contemporary designers’ thoughts. Our tables and chairs become a connection of quality, innovative shapes and a legacy to the place that has learned to understand the wood for generations.

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