Leaf chair

311 437

design  /  E-ggs IT

The seat and backrest from molded plywood suggest a model of optical and physical lightness. Its stability and strength are guaranteed by the construction made of bent solid wood. Apart from the veneer seat made of beech or oak, an upholstered version is also available.

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Beech natural (lacquer)
Beech natural (oil)
Coffee (B 4)
Dark wenge (B 105)
Dark chocolate (B 112)
Nougat (B 114)
Granite (B 115)
Honey (B 116)
Black Grain (B 123)
White Powder (B 276)
Beech is one of the best known and most commonly used deciduous trees in furniture making. It is a hard, strong, homogenous wood, well suited for manual wood bending. Beech is light to pinkish light in colour with a less pronounced texture, as there is not a marked difference in the colour of spring and summer wood – the contrast that creates annual growth rings.

In the standard version we offer a colour stain finish. A colour stain does not affect the structure of the wood, and most shades do not obscure its texture. The natural characteristics of beech allow the wood to absorb colour differently, resulting in a surface with light and dark markings. The final look of the product is also influenced by the original wood colour. A colour stain is always finished with a transparent water-based lacquer, which creates a durable, impervious coating that requires minimal maintenance.

The Beech Natural option can also be finished with oil, which is applied to the raw, worked surface. The colourless oil base comprising natural oils and waxes creates a protective matte coating that does not crack or peel. The oil highlights the natural colour of the wood, reveals its structure, and allows the wood to breathe. With the help of our Carebox, small scratches can be sanded over and re-oiled, leaving your TON product looking like new.
Antique Classic (B 130/A0)
If you would rather not wait for years before your furniture develops a natural patina, you can enjoy the look of antique furniture with this specialised finishing technique. Starting with a dark stain, Antique Finish imitates irregular scratches, sun-bleached spots, frequently touched areas and even woodworm bores. The imitation age marks are applied by hand with specially developed finishing materials, which in no way affect the product’s quality. Each resulting piece is an original.
B 20 white (B 20)
Sandy Beige (B 31)
Ginger yellow (B 32)
Ocean Blue (B 37)
Grey Shadow (B 38)
nude pink (B 40)
salmon pink (B 41)
coral orange (B 42)
ruby red (B 43)
creamy yellow (B 44)
aqua green (B 45)
turquoise green (B 46)
Pine Green (B 47)
Baby blue (B 48)
cloud grey (B 49)
Moon grey (B 50)
Blue Berries (B 52)
Opal Blue (B 53)
Mountain fjord (B 54)
Ashy blue (B 55)
Lichen green (B 61)
Taupe pink (B 95)
Pigments transform natural wood tones into a full spectrum of colour, covering fully the original wood tone as well as the texture. If a product has a design embossed on the seat or backrest, the design becomes less pronounced once a pigment has been applied. The final appearance of the pigment is influenced by the original colour and porosity of the wood, the production process, the angle of light, as well as individual perception of colour.
Oak Natural (oiled surface)
Oak Natural (varnished surface)
Coffee (B 4)
Dark Wenge (B 105)
Dark chocolate (B 112)
Nougat (B 114)
Granite (B 115)
Black Grain (B 123)
White Powder (B 276)
A strong and hard wood that will last for generations, oak has been prized in furniture making for centuries. Its natural colour and texture are characterised by a brown palette that is complemented with grey and yellow tones.

In the standard version we offer a colour stain finish. A colour stain does not affect the structure of the wood, and most shades do not obscure its texture. The natural characteristics of oak allow the wood to absorb colour differently, resulting in a surface with lighter and darker markings. The final look of the product is also influenced by the original wood colour. A colour stain is always finished with a transparent water-based lacquer, which creates a durable, impervious coating that requires minimal maintenance.

For the Oak Natural option we recommend an oil finish, which is applied to the raw, worked surface. The colourless oil base comprising natural oils and waxes creates a protective matte coating that does not crack or peel. The oil highlights the natural colour of the wood, reveals its structure, and allows the wood to breathe. With the help of our Carebox, small scratches can be sanded over and re-oiled, leaving your TON product looking like new.
B 20 white (B 20)
Sandy Beige (B 31)
Ginger yellow (B 32)
Ocean Blue (B 37)
Grey Shadow (B 38)
nude pink (B 40)
salmon pink (B 41)
coral orange (B 42)
ruby red (B 43)
creamy yellow (B 44)
aqua green (B 45)
turquoise green (B 46)
Pine Green (B 47)
Baby blue (B 48)
cloud grey (B 49)
Moon grey (B 50)
Blue Berries (B 52)
Opal Blue (B 53)
Mountain fjord (B 54)
Ashy blue (B 55)
Lichen green (B 61)
Taupe pink (B 95)
Pigments cover the colour and texture of wood. Oak has a pronounced pore structure, however, and this remains visible after a pigment has been applied. This attribute influences the final look of the product, together with the original wood colour, the production process, the angle of light, as well as individual perception of colour.
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Choose glides

Choose glides
Felt glide (black)
Felt glide (white)
Plastic glide (black)
Plastic glide (white)
Metal glide (silver)
Teflon glide (gray)
Felt glide – laminate, cork, vinyl, wooden or tiled floors

Plastic glide – tiled floors

Metal glide – carpets

Teflon glide – laminate, cork, linoleum or carpet floors
Choose glidesFelt glide (white) 

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Standard delivery time is 4-6 weeks, but in some cases may take longer.

Final colour of the product can vary from the illustrative photo and product configurator.

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Info

  • Total width (cm)50,5
  • Total depth (cm)52
  • Total height (cm)80
  • Seat height (cm)45,7
  • Width of seat (cm)43,5
  • Depth of seat (cm)40
  • Weight of product (kg)4
  • Volume (m3)0,205
  • Carton dimensions (cm)67 x 53 x 100

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how we make it...

We manually bend our furniture in the same workshops where this technology has been in use since 1861. However, we moved the features of this unique technique further more and mix them with contemporary designers’ thoughts. Our tables and chairs become a connection of quality, innovative shapes and a legacy to the place that has learned to understand the wood for generations.

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